Stay True
Hua Hsu
Doubleday
In the eyes of eighteen-year-old Hua Hsu, the problem with Ken–with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity–is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, the son of Taiwanese immigrants, who makes ‘zines and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn’t seem to have a place for either of them.
But despite his first impressions, Hua and Ken become friends, a friendship built on late-night conversations over cigarettes, long drives along the California coast, and the successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet.
Determined to hold on to all that was left of one of his closest friends–his memories–Hua turned to writing. Stay True is the book he’s been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.
And There Was Light: Abraham Lincoln and the American Struggle
Jon Meacham
Random House
A president who governed a divided country has much to teach us in a twenty-first-century moment of polarization and political crisis. Hated and hailed, excoriated and revered, Abraham Lincoln was at the pinnacle of American power when implacable secessionists gave no quarter in a clash of visions bound up with money, race, identity, and faith. In him we can see the possibilities of the presidency as well as its limitations.
At once familiar and elusive, Lincoln tends to be seen as the greatest of American presidents–a remote icon–or as a politician driven more by calculation than by conviction. This illuminating new portrait gives us a very human Lincoln–an imperfect man whose moral antislavery commitment, essential to the story of justice in America, began as he grew up in an antislavery Baptist community; who insisted that slavery was a moral evil; and who sought, as he put it, to do right as God gave him to see the right.
This book tells the story of Lincoln from his birth on the Kentucky frontier in 1809 to his leadership during the Civil War to his tragic assassination in 1865: his rise, his self-education, his loves, his bouts of depression, his political failures, his deepening faith, and his persistent conviction that slavery must end. In a nation shaped by the courage of the enslaved of the era and by the brave witness of Black Americans, Lincoln’s story illustrates the ways and means of politics in a democracy, the roots and durability of racism, and the capacity of conscience to shape events.
Shirley Hazzard: A Writing Life
Brigitta Olubas
Farrar, Straus, & Giroux
Shirley Hazzard: A Writing Life tells the extraordinary story of a great modern novelist. Brigitta Olubas, Hazzard’s authorized biographer, has drawn, with great subtlety and understanding, on her fiction (itself largely based on Hazzard’s own experience); on an extensive archive of letters, diaries, and notebooks; and on the memories of surviving friends and colleagues to create this resonant portrait of an exceptional woman.
This biography explores the distinctive times of Hazzard’s life, from her youth and middle age to her widowhood and years of decline, and traces the complex and intricate processes of self-fashioning that lay beneath Hazzard’s formidable, beguiling presence. Olubas shows us the places of Hazzard’s life, of which she wrote with characteristic lyricism: her childhood in Depression-era Sydney; her youth in postwar Hong Kong, New Zealand, and London; her years in New York in the 1950s, working at the United Nations and The New Yorker. Olubas also describes Hazzard’s long marriage to the writer Francis Steegmuller and their deep involvement in postwar Naples and Capri. Rare photographs from Hazzard’s collection and elsewhere accompany the text.
Hazzard was the last of a generation of selftaught writers, devotees of a great literary tradition, and her depth of perception and expressive gifts have earned her iconic status. Brigitta Olubas has brought her brilliantly alive, enhancing and deepening our understanding of the singular woman who created some of the most enduring fiction of the past sixty years.
As Dwight Garner wrote in The New York Times, “Hazzard’s stories feel timeless because she understands, as she writes in one of them: ‘We are human beings, not rational ones.'” Here, in Shirley Hazzard, is the story of a remarkable human being.
Come Back in September: A Literary Education on West Sixty-Seventh Street, Manhattan
Darryl Pinckney
Farrar, Straus & Giroux
Darryl Pinckney arrived at Columbia University in New York City in the early 1970s and had the opportunity to enroll in Elizabeth Hardwick’s creative writing class at Barnard. It changed his life. When the semester was over, he continued to visit her, and he became close to both Hardwick and Barbara Epstein, Hardwick’s best friend and neighbor and a fellow founder of The New York Review of Books. Pinckney was drawn into a New York literary world where he encountered some of the fascinating contributors to the Review, among them Susan Sontag, Robert Lowell, and Mary McCarthy. Yet the intellectual and artistic freedom that Pinckney observed on West Sixty-seventh Street could conflict with the demands of his politically minded family and their sense of the unavoidable lessons of black history.
Pinckney’s education in Hardwick’s orbit took place in the context of the cultural movements then sweeping New York. In addition, through his peers and former classmates–such as Felice Rosser, Jim Jarmusch, Jean-Michel Basquiat, Lucy Sante, Howard Brookner, and Nan Goldin–Pinckney witnessed the coming together of the New Wave scene in the East Village. He experienced the avantgarde life at the same time as he was discovering the sexual freedom brought by gay liberation. It was his time for hope.
In Come Back in September, Pinckney recalls his introduction to New York and to the writing life. The critic and novelist intimately captures this revolutionary, brilliant, and troubled period in American letters. Elizabeth Hardwick was not only his link to the intellectual heart of New York but also a source of continuous support and of inspiration–in the way she worked, her artistry, the beauty of her voice. Through his memories of the city and of Hardwick, we see the emergence and evolution of Pinckney himself as a writer.
Agatha Christie: An Elusive Woman
Lucy Worsley
Pegasus Crime
“Nobody in the world was more inadequate to act the heroine than I was.”
Why did Agatha Christie spend her career pretending that she was “just” an ordinary housewife, when clearly she wasn’t? Her life is fascinating for its mysteries and its passions and, as Lucy Worsley says, “She was thrillingly, scintillatingly modern.” She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness.
So why–despite all the evidence to the contrary–did Agatha present herself as a retiring Edwardian lady of leisure?
She was born in 1890 into a world that had its own rules about what women could and couldn’t do. Lucy Worsley’s biography is not just of a massively, internationally successful writer. It’s also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman.
With access to personal letters and papers that have rarely been seen, Lucy Worsley’s biography is both authoritative and entertaining and makes us realize what an extraordinary pioneer Agatha Christie was–truly a woman who wrote the twentieth century.
Magnificent Rebels: The First Romantics and the Invention of the Self
Andrea Wulf
Knopf
When did we begin to be as self-centered as we are today? At what point did we expect to have the right to determine our own lives? When did we first ask the question, How can I be free? It all began in a quiet university town in Germany in the 1790s, when a group of playwrights, poets, and writers put the self at center stage in their thinking, their writing, and their lives. This brilliant circle included the famous poets Goethe, Schiller, and Novalis; the visionary philosophers Fichte, Schelling, and Hegel; the contentious Schlegel brothers; and, in a wonderful cameo, Alexander von Humboldt. And at the heart of this group was the formidable Caroline Schlegel, who sparked their dazzling conversations about the self, nature, identity, and freedom.
The French revolutionaries may have changed the political landscape of Europe, but the young Romantics incited a revolution of the mind that transformed our world forever. We are still empowered by their daring leap into the self, and by their radical notions of the creative potential of the individual, the highest aspirations of art and science, the unity of nature, and the true meaning of freedom. We also still walk the same tightrope between meaningful self-fulfillment and destructive narcissism, between the rights of the individual and our responsibilities toward our community and future generations. At the heart of this inspiring book is the extremely modern tension between the dangers of selfishness and the thrilling possibilities of free will.